Hudson’s Bay Christmas window displays – Part Five

Our final installment on The Bay’s festive window displays at their flagship store in Toronto, Canada brings us to an Alice In Wonderland inspired winter scene. The dominant figure is a large rabbit, joined by much smaller figures of children dressed in white. One of the children is perched like a jockey on the rabbit’s back, reins in hand. They are near the entrance to a magical tree which features a snow-covered staircase bathed in warm yellow light, beckoning visitors to enter.

This display features the same transparent spheres containing vignettes of various characters that can be seen in most of The Bay’s displays. In fact, all but one of the five displays (the first one we looked at) has these spheres. In this scene, the spheres are perched on branches like Christmas tree decorations.

Although there is less motion in this display than some of the others, the art department has compensated for this with an animated backdrop of falling snow. This lends some movement to the scene and blends nicely with the snow covered ground.

This display is even more obtuse than the last one we looked at, inviting speculation as to what exactly it’s all about. The staircase leading into the tree is especially effective in arousing our curiosity. We wonder what’s inside. Leaving things unexplained is a great way to heighten interest in a diorama; try it in your next project.

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my new book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Hudson’s Bay Christmas window displays – Part Four

This week’s installment on The Bay’s festive window displays focuses on a circus ringmaster and his ensemble of performers. This display is notable for its palette of saturated reds. Red is an advancing colour, which means it appears to “pop” or advance towards us. Red is associated with excitement, romance, passion, and last but not least, Christmas. Gold is used as a supporting colour, embellishing the dominant red tones and giving the eye a bit of diversion.

The ringmaster is in the middle of his speech, announcing the next performance to eager spectators who are looking forward to another lavish spectacle. His right hand holds a bullhorn, and both hands are thrust upwards to grab the crowd’s attention.

Next to the ringmaster is a rotating platform with three Victorian era carriages pulled by a steam locomotive. Each carriage contains a diorama of circus performers within. On the central pedestal, several small transparent globes circle a larger globe, each containing additional vignettes of circus performers. So what we have is several small dioramas within a large one, making this a very unique display.

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my new book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Hudson’s Bay Christmas window displays – Part Three

In our third installment on The Bay’s festive window displays at its flagship store in Toronto, Canada, we have a thought provoking vignette of a white-bearded wizard gazing into his crystal ball. The ball is alive with constantly changing imagery of famous cities around the world. Positioned front and centre, this large transparent sphere is the focal point of the scene, symmetrically framed by a circular metal lattice which encompasses the entire display. Several smaller spheres containing various objects are also featured. There doesn’t seem to be any common theme to these objects. One sphere houses a steam locomotive, and another, a koala bear. They move up and down on cables, adding visual interest.

Of all the displays on show at Hudson’s Bay this Christmas, this one is the most ambiguous. It raises many questions and provides few answers. Based on the design of the lattice and the pedestal on which the globe sits, the scene apperas to be set sometime in the distant past, perhaps during the early days of the Industrial Revolution. But other than that, we know very little. Who is the mysterious wizard and what is he up to? The white beard suggests Santa Claus (minus his familiar red and white Christmas outfit), but he seems much too thin. And Santa is jovial, while this guy looks serious. If we overlook these inconsistencies, the other elements in the scene support the Santa Claus theory: the crystal ball could be a device for seeing who was naughty and who was nice this year. And the locomotive and koala bear could be toys destined for the children who were nice.

As with many works of art, there are several possible interpretations to this window display. Let your imagination fill in the answers.

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my new book, Diorama Design. It’s available in both ebook and print formats at Amazon.

Ivar