About 13 minutes into Sam Raimi’s campy 1990 flick Darkman, the title character’s girlfriend is shown a diorama of a proposed riverfront development in her boss’s office. She has just stumbled across an incriminating memo which shows evidence of bribes made in support of the riverfront project. Her boss does his best to get her to look the other way. Showing her the diorama, he tries to convince her that the bribes were necessary to guarantee the future of the project. Predictably, she doesn’t want to just hand over the memo and forget about it, and mayhem ensues.
Most architectural dioramas are made of wood, paper, and plastic. What sets the diorama in Darkman apart is that it appears to be made entirely of transparent acrylic. The diorama is lit from below and the light is captured by the acrylic much like a chandelier. It becomes a glistening beacon in the dark, wood panelled office, adding substantial visual interest to a scene that would have otherwise been plain.