Tag Archives: forced perspective

Products

A forced perspective diorama kit from Sankei

Forced perspective kits are a rarity in the world of model building. Sankei has bucked convention with its new Miniatuart forced perspective kit of a Savoia aircraft in front of its hangar. The aircraft itself is conventionally proportioned, but the hangar is in forced perspective. The walls of the hangar decrease in width going towards the back of the building. 

The scene is inspired by Porco Rosso, an animated 1992 adventure film produced by Studio Ghibli. According to the Ghibli fandom page, “The plot revolves around an Italian World War I ex-fighter ace, now living as a freelance bounty hunter chasing air pirates in the Adriatic Sea. However, an unusual curse has transformed him to an anthropomorphic pig. Once called Marco Pagot, he is now known to the world as ‘Porco Rosso’, which in Italian is Crimson Pig.”

The tiny kit is described by Sankei as a paper craft book and comes in a 6cm (2 3/8”) square box. It goes together with basic hobby tools: a craft knife, scissors, adhesive, pins, and coloured pens. This is an innovative product that will hopefully inspire other kit manufacturers to delve into the world of forced perspective. 

If you’re interested in learning more about how to incorporate forced perspective into your modelling work, check out Forced Perspective Dioramas in paperback on Amazon and in e-book format on Apple Books. . The book begins with the history of forced perspective and its use in various art forms. It then explains the principles of forced perspective and presents practical applications, using case studies of actual dioramas ranging from basic to advanced. 

-Ivar

Products

Forced Perspective Dioramas is now available

My new book, Forced Perspective Dioramas, is now available in paperback on Amazon in several markets wordwide. It’s the culmination of about a year of writing and editing, and features case studies of dioramas which I’ve built over the last three years. It’s a guide to understanding the principles behind forced perspective and how to apply them to three-dimensional art.

As far as I know, this is the first book about forced perspective that specifically caters to modellers. It starts out with a brief history of forced perspective in various art forms, and then breaks down the nuts and bolts of how the technique works. There’s a discussion of the advantages of the forced perspective diorama over the conventional tabletop diorama, and what it can bring to your projects.

The book then gets into how the forced perspective diorama is created and covers key concepts such as the vanishing point. There’s also a chapter on lighting. Seven case studies of dioramas, ranging from basic to advanced, are included to illustrate the application of the technique. 

If you want to learn how to give your miniature scenes a greater sense of depth and scale, check out Forced Perspective Dioramas.

-Ivar

Finished Works

Fifth Gen (1:144, non scale)

The Sukhoi SU-57 is a Fifth Generation aircraft which represents state-of-the-art fighter design. Although it has yet to be sold to any foreign buyers, this scene shows what it would look like in Estonian livery. 

Most dioramas are constructed on a horizontal base. This makes sense for a military or automotive scene because the vehicles interact with the terrain. But when we see an aircraft in flight, it’s usually framed by the horizon. The ground isn’t important, so I left it out.     

For tips on how to optimize the visual impact of your work, see my book Diorama Design. It’s available on Amazon and Apple Books.

-Ivar

Finished Works

Thunderbird 2 (1:2500, non scale)

Gerry Anderson’s classic series Thunderbirds captured the imagination of many a young boy, and we watched mesmerized as the Tracy brothers piloted their wondrous vehicles to the scene of a disaster to save the day. The most distinctive of these was Virgil Tracy’s Thunderbird 2. This green behemoth was International Rescue’s heavy duty transporter, able to carry specialized equipment in an interchangeable pod. With its forward-swept wings and beetle-shaped fuselage, nothing in the skies (real or imagined) looked quite like TB2. 

The beloved program was rebooted in 2015, featuring state of the art special effects and updated vehicle designs. One of the biggest successes of the new Thunderbirds Are Go is the reimagined Thunderbird 2. It’s still big and green, but the new design is less bug and more machine. Christian Pearce, Senior Concept Artist at Weta Workshop, gave TB2 some well thought out nips and tucks to bring it into the new millennium. He beefed up the engine nacelles for a more muscular, broad shouldered look, and flattened the roofline for a sleeker overall profile. These tweaks give Thunderbird 2 a fresh look while still staying true to the spirit of the original design.  

This forced perspective scene shows Thunderbird 2 on its way home after another successful mission, trailing exhaust plumes as it passes over a city. 

For tips on how to optimize the visual impact of your work, see my book Diorama Design. It’s available on Amazon and Apple Books.

-Ivar

 

Finished Works

No Way Out (1:35, non scale)

This forced perspective scene was inspired by the classic TV series UFO. Pursued by one of the alien craft, Straker and Ellis have taken refuge in an abandoned factory. The saucer hovers ominously at the far end of the factory, blocking the only escape route. 

The shimmering blur effect of the spinning UFO, which I recreated here with the help of a low rpm electric motor, was one of the signature visuals of the series. The superb miniatures created by special effects director Derek Meddings and designer Mike Trim gave the show a sophisticated look which put it in a class by itself.  

This diorama is the second I’ve built which is based on UFO. The first was SHADO Yards. 

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Random Musings

Fourth Anniversary

Today marks the fourth anniversary of this blog. Over the past year, I’ve shifted my focus entirely to forced perspective dioramas. Portraying vast distances in a modest sized diorama requires a lot of careful planning to make the end result convincing. I find that I’m spending more time in the design stage to ensure that things turn out the way I expect them to. 

I was pleasantly surprised to find a new audience for my book, Diorama Design. It turns out that some of the more aesthetically minded model railroaders out there have taken an interest in the Seven Principles of Design and other concepts in the book. Last month I gave a talk at the British Region NMRA Convention in Aberdeen, Scotland, to promote Diorama Design to this newfound market. The talk was well received.

Over the next year, this blog will continue to feature my own projects, new product announcements, notable diorama exhibitions, and general observations about art and design. Whether you build dioramas, railroads, or just like to read about three-dimensional art, I invite you to stay tuned for another year of Creative Dioramas. 

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar


Finished Works

A Different Fate (1:72, 1:600)

In the twilight days of WWII, Japanese aircraft manufacturer Kyushu Hikoki K.K. completed two prototypes of a remarkable interceptor called the Shinden. Featuring swept wings, a six-bladed pusher propeller and canards on the forward fuselage, this innovative design held great promise as a deterrent to the B-29 bombers which had begun high altitude bombing of Japan. However, the Shinden wasn’t put into production in time to fulfill its intended role.  

This forced perspective diorama presents a ‘what if’ scenario based on the Shinden entering service sooner and changing the course of the war in the Pacific. A lone Shinden prepares to pounce on Enola Gay, the B-29 bomber tasked with dropping an atomic bomb on Hiroshima. 

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Finished Works

Mirage (1:24, 1:200)

Returning from a treacherous sortie in North Africa, a battle-weary Junkers JU-88 pilot sees something . . . someone . . . in the desert. She looks like a girl he once knew. He briefly considers asking a fellow crew member to confirm, but decides against it. It can’t be her. 

Mirage is an exploration of how far the eye can be pushed to accept forced perspective. Ordinarily, forced perspective dioramas contain larger scale elements at the front and smaller scale elements at the rear. Here, the differently scaled elements are equidistant from the viewer when looking at the diorama head-on. The illusion of perspective is strongest when viewing the diorama from the girl’s side, as in the photograph.

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Finished Works

Black Squadron (1:121, 1:144)

The Death Star trench, as seen in the climactic battle of Star Wars Episode IV: A New Hope, is a unique visual which sets the sequence apart from all other dogfights in cinema. The trench is one long blur for the most part, looming dangerously close to Rebel X-wings and Y-Wings as they conduct their attack runs. It gains even more menace as Darth Vader’s squadron moves in to intercept. How do you translate this into a static model?

Well, you could build a very long miniature set, like the special effects crew did for the movie. Or just model a short section of the trench, which Bandai offers in kit form. But that doesn’t do justice to its limitless length, or capture the photographic motion blur which smooths over the intricate details of the trench on film.

I decided to use forced perspective to convey the vast length of this architectural marvel. Scratchbuilt trench walls recede in scale to a vanishing point in the distance. To give the impression of motion blur, I made simple ‘streaks’ with no details. Vader’s ship is a Revell kit and the two slightly smaller scaled TIE fighters are from Bandai. The total length of the trench is 38cm (15”). 

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Finished Works

Contemplating Gotham (1:35, 1:700)

The Batmobile is back. This is the same 1:35 Bandai kit which I used in Batmobile Winterscape, a large tabletop diorama featured in Diorama Design. Now repurposed for a more compact wall-mounted display. 

A white metal Batman figure joins the Batmobile against a forced perspective backdrop. LEDs were used for lighting. The case is acrylic and birch wood. 

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar