Tag Archives: James Bond

Bond in Motion Dioramas

Eaglemoss has released a series of 1:43 diecast vehicle dioramas based on the long-running James Bond film franchise. These ready-made dioramas recreate scenes from the movies using a partial box diorama format, consisting of a base and two background walls. 

Usually a diorama of this type would have three walls, but with just two, it encourages diagonal placement, giving the scene a fresh look. The rectangular base simplifies shipping, but the trade-off is that there’s a crease in the background where the two walls meet. Most of these dioramas are done in forced perspective, with the backgrounds showing distant scenery which lends a sense of depth. 

The Bond movies have showcased many fine automobiles, including Aston Martins, Lotuses,  BMWs, and more. Until now, any car manufacturer getting a call from the Bond producers considered themselves blessed. But with the impending departure of actor Daniel Craig and his replacement by a female 007—an oxymoron—those days are over. 

No Time To Die is the most ironic title ever given to a Bond film, since this upcoming installment will indeed mark the death of the franchise. Bond fans will boycott the movies and box office receipts will plummet. Cars associated with future installments of the franchise will become symbols of political correctness, more likely to be shunned than coveted. 

But the Bond legacy remains, and the definitive series of films that started with Dr. No and ended with Spectre will always have a place in the hearts of true 007 fans.    

For tips on how to optimize the visual impact of your work, see my book Diorama Design. It’s available on Amazon and Apple Books.

-Ivar

Dioramas in Film – Diamonds Are Forever

After looking at the diorama from the movie Goldfinger, it’s time once again to return to the world of James Bond. Diamonds are Forever (1971) takes Bond to Las Vegas, where a diamond smuggling investigation puts him in the middle of a plot involving satellites, high energy lasers, and his arch nemesis Ernst Stavro Blofeld.  

High above Las Vegas is the lavish penthouse of billionaire industrialist Willard Whyte. The most distinctive feature of this Ken Adam designed set is the floor, which has a circular glass inset containing a diorama of Whyte’s worldwide business enterprises. Several meters in diameter, the disk-shaped diorama is surrounded by three curved couches which hug its perimeter, accentuating the circular motif. The diorama goes a step beyond the one in Goldfinger by virtue of its glass roof, which is flush with the floor and is supported by a gleaming metal lattice. The shape of the lattice mimics the latitude and longitude lines on a world map. 

Auric Golfinger’s cleaning lady would have had her work cut out for her dusting the massive diorama of Fort Knox. The reclusive Whyte, who abhors intrusions into his private lair, wisely decided to cover his diorama with glass, keeping it permanently dust-free without the need for outside help. If you read my previous post on keeping dust off your diorama, you’ll appreciate the eminent practicality of this design. 

The other advantage of the glass cover is more floor space. You can walk over Whyte’s diorama, since the glass is part of the floor. Goldfinger, on the other hand, has to be careful he doesn’t take a misstep and fall onto Fort Knox. 

The diorama in Diamonds are Forever is highly stylized, populated with miniatures of missiles, oil rigs, etc. which are almost toylike in their simplicity. Since the miniatures have to be recognizable from a distance, this visually reductionist approach works well. A ring of floodlights also helps ensure that everything is visible. So striking is the diorama that it’s shown in nearly every shot of the film’s penthouse scenes. Cinematographer Ted Moore clearly recognized the value of Ken Adam’s contribution and leveraged it to the hilt. 

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar

Dioramas in Film – Goldfinger

James Bond returns to this blog with a look at the Fort Knox diorama from the 1964 movie Goldfinger. The diorama appears midway through the movie. The titular villain has assembled the top mafiosi from around the U.S. to brief them on his daring plan to raid the gold depository at Fort Knox. They gather in Goldfinger’s lavish briefing room, a superb set designed by Ken Adam with strong Frank Lloyd Wright influences: a vast horizontal expanse of luxurious woods set off with stone walls and a massive fireplace. 

Goldfinger begins the briefing by flipping a switch on the side of a pool table, which rotates upside down to reveal a large control panel. He brings up a wall-size aerial photograph of the Fort Knox vicinity and begins to explain his plan. And then comes the highlight of the scene: a section of the hardwood floor slides aside and a huge diorama of Fort Knox emerges on a motorized lift. 

The diorama is the focal point of the scene. It’s fully lit, while the surrounding actors remain in the shadows. Goldfinger points with a pool cue at various elements of the diorama as he outlines his strategy to break into the most heavily guarded bank in the world. 

The Bond villains have always been known for their elaborate lairs. These locations are generally big, visually striking, and outfitted with all manner of technological contrivances. And Auric Goldfinger is no exception. He takes great pleasure in dazzling his guests, maintaining an unerring air of superiority as the master villain in the room.

There’s one man in the scene who is unimpressed by Goldfinger’s presentation: James Bond. We find out that 007 has been watching the briefing from a hidden vantage point underneath the diorama. It’s quite amusing, if not entirely believable, when we see Bond’s eyes behind the Fort Knox model, and none of the characters notice. Bond’s irreverent lurking completely deflates the grandiosity of the scene and robs Goldfinger’s presentation of its dignity. Once again, 007 gets the better of a criminal mastermind.  

If you like to build dioramas and want to learn more about how to optimize the visual impact of your work, you might like my new book, Diorama Design. It’s available in both ebook and print formats at Amazon.

-Ivar